
James is interviewed by Miguel Mera for Liverpool University
Press journal Music, Sound and the Moving Image.
October
2008:
Command and Conquer: Red Alert 3
has been released. James wrote the
Soviet March
theme and music for the Empire of Rising Sun faction.

October 2008.
IGN lists James among '9
Composers To Watch'.
Crispy Gamer Article.
A look at the music of Red Alert 3.
August
2008 - VGL Taipei.
James
attended the recent concert held at the Pan-Chiao
Stadium while in Japan and Taiwan.
Watch a video of the Harry Potter
segment (and other performances) here. For a
behind-the-scenes look at the music of Harry Potter and
the Order of the Phoenix, click
here.
New
Interview at M4G.
'In
The Studio'.
September
2008 - IGN lists Republic among '10 GREAT ALBUMS'.
Click here for the feature.
October 2008 - LGF08.
James will be
participating onstage at the launch of Red Alert 3,
kicking off the epic 'Be The One' event in Trafalgar
Square on October 30th (read about it
here). The same week, James will be attending the
Video Games Live concerts at Festival Hall, and
participating in the Meet and Greet session following
the shows - as well as taking part in the
BAFTA/Gamesindustry.biz
'Surgeries'.
March
2008 - Movie Music UK Awards, 2007 -
Harry Potter and the Order of the Phoenix wins 'Best
Score' in the VG category.
Click here for details. Buy the soundtrack from
iTunes.
January
2008 - IGN lists 'Harry Potter and the Order of the
Phoenix' among the best scores of 2008.
Click here for the feature.
Read IGN's earlier 'Magic in the Air'
interview.
New Interviews with
Movie Music UK,
G Soundtracks
and
HecticSL
November
2007 - Channel 4 Online:
Click here for '21st Century Opera'.
'Brief Encounter' - James
discusses what constitutes a good brief with industry
colleagues.
Click here for the Develop
magazine article.
October 2007 - BAFTA Online article:
The current edition of BAFTA magazine, Academy, is running a
feature on music for games, featuring comments from James.
Read the online version here.
October
2007 - 'Video Games Live' 2007.
A
collage of James's music for
Harry Potter and the Order of the Phoenix
(Electronic Arts/Warner Bros.) will be performed at the
upcoming concert in London. The show will be held at the
Royal Festival Hall on October 22nd and will feature The
Philharmonia orchestra.
July
2007:
'Soundtrack of the Month' at
Music4Games
June
2007-Post Magazine:
Article by James posted in the
June 2007 Audio Newsletter.
Music for Ducati launch, 2007.
The
leading edge Audio journal has run a three-page feature. on
James and his approach to music. Read
it here.
BAFTA
Awards 2005: James has received
his fourth BAFTA nomination for the music of Evil Genius
(Elixir Studios/VU Games). Other titles nominated include
Fable (Russell Shaw/Danny Elfman), Hitman: Contracts (Jesper
Kyd), Harry Potter and the Prisoner of Azkaban (Jeremy and
Julian Soule), Demon Stone (Rob Mills) and Rome: Total War
(Jeff Van Dyck). In 2000, James shared a win with Richard
Joseph and Bullfrog Productions for Theme Park World (Sim
Theme Park).
ROUND-UP
2005/Formula One Ferrari 'Red Racing' / The Bourne
Identity
:
James recently completed the score for an extended
two-minute pan-European cinema commercial promoting the
Ferrari Formula One Red Racing School, which
offers the chance to take a ride around an F1 course in
a customised three-seater version of last year's Ferrari
/// James's music on the West One label has recently
been heard in The World's Wildest Police Videos,
Destination Future and trailers for The Bourne
Identity
on British Network Television.
Best
of 2004: Soundtrack.net placed Republic: The Revolution in
the top 5 Soundtracks of 2004 (best
of 2004), and has also posted a favourable
review.
November 2004 - Catwoman:
Work recently concluded on the
score of Catwoman (Electronic Arts/Warner Bros.)
April
2004 - Develop article.
James has written an in-depth article on music for games,
which is this April's cover feature in industry journal,
Develop. The article looks primarily at the unique role
and function of music in games and speculates as to how
music can be better integrated with them as the industry
moves on. Plans are afoot for a series of new articles on
this and other related issues. To obtain Develop,
go here. To read the
article on this site, please visit the
articles
section.
Sony
Media Pictures: James has been featured in
the 2004 production catalogue, talking about his long
standing use of Sony production tools such as Sound Forge
and Vegas.
Tony Hinnigan sessions:
James recently worked with the hugely talented and respected
wind instrumentalist Tony Hinnigan on an unannounced
project, recording at Spatial Audio with veteran engineer
Gerry O'Riordon. Tony's distinctive sound can be heard in
numerous soundtracks, ranging from the penny whistle and
flutes of 'Titanic' and 'Braveheart' to the panpipes of 'The
Mission'.
Music for the Media:
Guy Michelmore, Course
Director of the world's largest training programme for film
and television composers, conducted a video interview with
James which will be distributed among students in the near
future.
RCM
visit 2005: In January, James was invited to talk to the students of the
Composition for Screen Masters course run by Miguel Mera at
the Royal College of Music in London. A lively debate
followed over the role of music in interactive entertainment
and the relationships between music for film, theatre,
television and games.
Visit the
RCM site. For information on the
Masters programme itself,
click here.
West
One Music
: The production company has
reported on James's involvement on the Big Screen
movie promo CD.
Click here.
Sept
03:
Guardian Online.
Click here
for a report on music for games; comments from
Barrington Pheloung
and
James Hannigan.
Gamezone Interview:
Part 1|Part
2.
Post
Magazine.
The L.A. based magazine
has featured James as part of an article looking at
audio in games, which focuses on six audio facilities
worldwide. Click
here.
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Resolution
Story:
The specialist Audio Production magazine has conducted an
interview with James looking at his philosophy and
approach to creating music for games. Note of clarification:
James did not directly receive a Golden Reel
nomination for Lost In Space, as suggested in the article,
but merely contributed as a Sound Designer to the movie -
which was nominated for Sound Editing in 1998.
BAFTA
Games Awards.
Republic:
The Revolution (Elixir Studios/Eidos) was nominated for
an award in the Music category this year. James
previously shared a win with colleagues for Sound in
Theme Park World/Sim Theme Park in 2000 and has been
nominated for the music award on three separate occasions.
Republic CD info.
May 2004:
Mix Online
on Republic: The Revolution
Feb
04: Evil Genius Sessions.
James has adopted a swinging 60s sound for the
forthcoming Elixir/Vivendi-Universal title, recording a
series of Big Band tracks for this exciting strategy game -
followed by orchestral sessions. Also tapped are the talents
of George Sanger (aka The Fatman) and Evan Jolly.
Visit the Evil Genius website.
April
04:
Click here for Music4Games' review of the Republic
soundtrack CD.
Feb
04:
James participated on a
panel entitled 'Scoring Interactive Music for Videogames'
on February 17th, as part of the
BAFTA Interactive Festival, with co-panelists Nick
Laviers (head of audio, Electronic Arts Europe) and chairman
John Broomhall of Broomhall Projects.
Feb
04: Republic Soundtrack.
Click here for reviewer comments
and
here
for the Music4Games review.
Read the Soundtrack.net review.
Oct
03: Musicworks 2003.
James participated in a masterclass at Musicworks, the
international cross-media music convention, with
Nick Laviers (Head of
Audio at Electronic Arts Europe, and former colleague of
James) - chaired by John
Broomhall, ten year
veteran of the games industry and, recently, music
consultant for Pop Idol. John later conducted an
interview with 007 composer, David Arnold.
Visit the Musicworks site.
Aug
03: Edinburgh International Games Festival.
August 18th 2003: James took part in a panel discussing the
future of music in games at this year's Edinburgh
International Games Festival. The panel, brought together by
industry veteran John Broomhall, also included film
composer Harry Gregson-Williams
(Shrek, Antz, Metal Gear Solid 2), Professor
Stephen Deutsch*
of Bournemouth University
and was chaired by composer, Barrington Pheloung.